Ecléctico is a music newsletter for music lovers.
No spam, unsubscribe anytime.
Today on Ecléctico you're listening to guitarist and composer Chris Forsyth. His music is expansive, based in a roots rock structure and wide enough to explore and experiment. Forsyth is an intuitive guitarist and collaborator, as heard on some of the longer songs on this album and on the live recordings exclusively available on his Bandcamp site.
You'll go deeper with an excerpt from and a link to an article by John Vettese on NPR Music.
"Tomorrow Might As Well Be Today" by Chris Forsyth
2019 | Rock and improvisational guitarist and composer based in Philadelphia
- Listen on Spotify
- Listen on Apple Music
- Listen on YouTube
- Listen on Tidal
- Listen on Amazon Music
- Listen on Soundcloud
- Listen on Deezer
- Listen and buy on Qobuz
- Buy and listen on Bandcamp
- Buy on iTunes
- Buy on Amazon
All Time Present finds Forsyth pulling back the reins while also reaching further than he has before, exploring new stylistic realms (windswept desert rock on "The Past Ain't Passed") and revisiting earlier compositions ("New Paranoid Cat") with fresh aplomb. It's his first release credited solely to his own name since 2013, but it's also very much a product of band chemistry.
We hear that on the opening "Tomorrow Might As Well Be Today," which serves as the theme music of sorts for this double-LP opus. One can imagine opening credits rolling over a spacious highway while listening, and though Forsyth's octave-dancing main lick is the initial sound that hits our ears, the resounding piano accents from Shawn E. Hansen and driving drums by Ryan Jewell are every bit as essential to the song.